Great Expectations Dickens judges his characters not on social position or upbringing but on their treatment of one another Character, class and social status in Great Expectations The world in which Charles Dickens wrote was one in which class and social status was a determining factor in establishing the quality of an individual's life. Social status was an element of nineteenth century society, like the legal system, that Dickens continually exposed

Girls and Appearance Why are girls more concerned about their appearance than boys? Is a question that has been asked by feminist and sociologist alike for a long time. The answer is not necessarily a clear one, nor is the reality of the statement, as social changes have occurred over the last few decades that blur gender identity and gender roles as well as the manner in which men and women

"(Fitzgerald, 2) the image of personality, the "self as process" (Bloom, 189), parallels that of reality as process. Gatsby's own character is for its most part invented, dreamed up into reality, according to a plan he had made when he was nineteen. Fitzgerald's novel is thus an extremely subjective vision of the world, in which the author has a very important voice. As in all modernist novels, reality is obliterated

In an article titled The Superego, Narcissism and Great Expectations Ingham writes "As [Pip] forlornly gazes at his parent's headstone he is suddenly accosted by an escaped convict, Magwitch, who threatens dreadful consequences unless Pip steals a file and food. Magwitch seems to emerge from the parental grave and to embody primitive menace, dire and horrifying punishments -- the 'ghost' of the lost parents, infused with the abandoned child's

The spectator is unwittingly sutured into a colonialist perspective. But such techniques are not inevitably colonialist in their operation. One of the innovations of Pontocorvo's Battle of Algiers is to invert the imagery of encirclement and exploit the identificatory mechanisms of cinema in behalf of the colonized rather than the colonizer (Noble, 1977). It is from within the casbah that we see and hear the French troops and helicopters. This

Related Topics Jazz Age Set in the Jazz Age, the novel’s backdrop is one in which flappers, music, booze, riches, and alcohol-fueled festivities serve as some of the main points of interest.  Fitzgerald often focuses out the squalid nature of the proceedings and the more-often-than-not infantile manner in which affairs are carried out.  When Gatsby makes his entrance to the tune of The Jazz History of the World—a fictitious musical number invented by Fitzgerald to